Beyond Boundaries Symposium Report by Yofi Gao, Zhiyun Gong, Aria Guo, Yuchuan Wang, and Chen Zhou

Statement by symposium organisers Shepuya Famwang and Francis Gene-Rowe: the following was written and produced by GMM students from the 2023-2024 cohort. You can also find posts of symposium proceedings on our programme Instagram account. Our sincerest thanks go out to the contributing students and to everyone who participated in the Beyond Boundaries symposium: Sasha Anikina, Ryan Bishop, Yunbo Cang, Jiayi Chen, Aria Guo, Fangyi He, Tsvetelina Hristova, Georgia Perkins, Kai Syng Tan, Ruohan Tang, Krassimir Terziev, Jianghui Yu, Yijing Xie, and Kaidi Zhang.

Event Report

On Friday 16 February we held the symposium ‘Beyond Boundaries’ through lectures, interdisciplinary discussions, and workshops.

Introduction by Francis and Shepuya; GMM Symposium ‘BEYOND BOUNDARIES’ is kicking off. Photograph of Francis Gene-Rowe and Shepuya Famwang by Yuchuan Wang.

Georgia Perkins illustrated molecularity in politics and aesthetics.

Georgia Perkins demonstrates on molecular politics. Photograph of Georgia Perkins by Zhiyun Gong.

Ryan Bishop shared his current project, Weather Report, which explores wind as model, medium, and experience. 

Ryan Bishop presents his wind project. Photograph of Ryan Bishop by Yuchuan Wang.

Ruohan Tang introduced a sound project of Southampton premised on individual experience. 

Ruohan Tang introduces his soundtrack demo. Photograph of Ruohan Tang by Yuchuan Wang.
Interdisciplinary discussions. Photograph of Georgia Perkins, Ruohan Tang, and Sasha Anikina by Yuchuan Wang.

Following a series of informative lectures, the interdisciplinary discussion between contributors was also inspiring. Lamya Sadiq’s keynote on ‘Insurgent Rituals’ provoked rethinking of the relationship between common space and urban environment.

Lamya Sadiq’s critical ideas about ‘Insurgent Rituals’. Photograph of Lamya Sadiq by Yuchuan Wang.

During the afternoon, several remarkable student works from CMP (Critical Media Practice) classes were presented, showcasing their creative ideas centered around the theme of “place”.

Audiences give attention to informative talks. Photograph of symposium attendees by Zhiyun Gong.

Jianghui Yu presented a captivating mock interview through a recorded format during which she immersed the audience into the talking channel she created. Her focus was on personal safety in public spaces and she interviewed Vera, a victim of frequent mobile phone robberies in London. Vera shared her experience and emotions about being robbed, shedding light on the increasing crime trends in the UK and providing substantial data to analyze which groups are most vulnerable to such crimes. These feelings of insecurity can potentially alter tourists’ initial perception of London and instill a sense of panic. As the interview concluded, Jianghui Yu urged both the London government and local authorities to acknowledge the gravity of personal security issues, emphasizing the importance of safeguarding personal belongings. This interview held significant meaning and conveyed a powerful message.

The short film “My Room” created by Yijing Xie is incredibly moving. The film begins with a black screen, immersing the audience in Yijing Xie’s voice as she describes the warmth and humidity she feels in her room. The impact is heightened when an image of a baby in the womb is revealed. Yijing Xie goes on to depict her constantly changing room as she grows, incorporating videos, photos, and descriptive paintings that leave a lasting impression. Each room is accompanied by her emotions at different stages of growth, creating an interaction between the internal and external aspects of her life. Towards the end, Yijing Xie expands the concept of a room to encompass every corner of the world, extending the notion of private space to public spaces. She expresses the belief that the true meaning of a room lies in its “shape.” Just as she shapes the room, the room also shapes her in return.

Aria Guo delivered an impressive presentation. Her work consisted of recordings capturing various public spaces in London, with a focus on auditory culture. She delved into the challenge of perceiving the world solely through the auditory system, after turning off the visual system. From exploring mechanical vibrations to biological evolution, and from self-judgment to self-awareness within the socio-cultural environment, Aria highlighted how the dominance of visual culture had once reduced the significance of auditory culture. However, with the advent of digital technology, auditory culture has experienced a resurgence, prompting people to re-evaluate the power of hearing. During her speech, Aria referenced a line from the book Village Bells that described sound as not only a measure of time, but also a metaphor for power. This example allowed the audience to intuitively grasp the diverse possibilities of sound in public spaces. Additionally, she explained the dual nature of sound in public spaces from the perspectives of imagination, emotion, and tolerance, showcasing the depth and breadth of her thinking. Towards the end, Aria touched upon the viewpoints of “Make media matter to you” and “Beyond Boundaries,” eliciting a strong resonance from the audience and earning heartfelt applause.

Aria Guo put forward these two topics. Photograph of Aria Guo’s slideshow by Yofi Gao.

Jiayi (Scarlett) Chen’s research topic revolves around “Cyberpunk in Urban Space.” She captured a series of photographs featuring electronic billboards with a distinct cyberpunk aesthetic in different cities. According to Scarlett, billboards, as elements of public space, have a profound impact on the atmosphere and appearance of a city, defining its style and status. She utilized image editing software such as Photoshop and Lightroom to enhance the cyberpunk elements in her pictures, emphasizing the contrast between the cyber effect and the real world’s visual authenticity. Scarlett explored the widespread implementation of digital effects in public spaces and highlighted the current trend of replacing traditional advertising formats with cyberpunk-inspired billboards that capture attention. On one hand, billboards serve as symbols of urban life, offering a modern means for people to express their thoughts through digital technology. On the other hand, she acknowledged the potential negative impact of light pollution on urban life. Thus, the progress of cyberpunk aesthetics in urban spaces is a double-edged sword of technology. During the subsequent question and answer session, Francis inquired about the definition of cyberpunk. Scarlett expressed her belief that cyberpunk depicts the disparity and divide between the rich and the poor. This gap can be felt by the audience through the distinct characteristics of the billboards in different cities, as well as the contrasting cyberpunk atmospheres they create.

The works presented by professors and students were both memorable and inspiring, showcasing their creativity and innovative thinking. The level of professionalism and dedication to academic research demonstrated by everyone involved was truly admirable. The symposium fostered an inclusive environment that encouraged a wide range of creative ideas to flourish. Congratulations on the success of this symposium, and let’s eagerly anticipate our future gatherings and collaborations.

Chen Zhou
Yofi Gao

Personal Reflections on the GMM Symposium

I was fortunate to have the opportunity to participate in GMM’s symposium. Francis and Shepuya’s preparation and organization made the event run smoothly and wonderfully. During the symposium, I was pleasantly surprised to see and hear the excellent CMP works from other students, which made me fully feel the rich creativity and practical ability of all of us, closely integrating the theme of place in and with media, reflecting the diversity of different media applications. From the professors’ presentations, I can see research ideas and a perspective on the media world that is different from the Chinese academic tradition, which brings me many new revelations and inspirations. I really appreciate that every professor had made careful preparations for the symposium and their passion for their research fields. Additionally, it also showed me the vivid, lovely and interesting side of them outside the classroom! I sincerely hope that there will be more and more activities like this, and I also hope that more students can participate in them so that we can play together!

Aria Guo

Students and staff celebrate the end of a successful event. Photograph of Shepuya Famwang, Sasha Anikina, Georgia Perkins, Yofi Gao, and Aria Guo by Yofi Gao.

Symposium Attendee Feedback

On what they found enjoyable about the event:
“I saw other students’ works and was inspired by their creativity.”
“Although it was more serious than expected, it was very academic, and I learned a lot.”
“I enjoy the students’ reporting work, especially the videos, which are very interesting.”
“The atmosphere and the content of the symposium.”
“I can see different forms of CMP work and get inspiration from them.”

Additional Accreditation for Symposium Reporting

  • Photo descriptions by Chen Zhou.
  • Video editing by Chen Zhou.
  • Event feedback collected by Yofi Gao.

Former GMM Student Yiwen Xia Published

A number of GMM alumni go on to publish and work in academia following their degrees, in some cases publishing work that they began developing on the programme.

We are excited to share that Yiwen Xia, who studied with us in 2019-2020, has published research begun during the modules Global Media 1: Ideas and Debates, and during the Final Project phase:

Yiwen Xia is currently planning to undertake PhD research—we wish them every success in their future work!

Creative AI in the Robot Zoo (20th November)

Members of the MA Global Media Management are once again contributing to the Southampton Festival of Arts and Humanities, this time as part of the in-person Hands-On Humanities day at Avenue Campus in Southampton (20th November from 10:30 – 16:30 GMT).

AI and robots are set to play an increasingly important role in our everyday lives. Will they be human-like in appearance or intelligence, or quite different from us – more like toys, pets, and other animals?

In this workshop you play with and program animal-like robots and toys. What new relationships of play, work and care between people and machines can you imagine? You will test their limitations and design new possibilities for a future of life with technological creatures.

Read more HERE and drop by on the day to participate!

The workshop is run by Dr Seth Giddings, Lesia Tkacz (both GMM staff members) and Yijie Gao (Ink – a PhD candidate at Winchester School of Art), and combines their research into, respectively: AI and technological imaginaries; automated creativity; robot-animal-human relationships.

GMM Student Project ‘Guarding the Love’ Featured at Festival of Arts and Humanities

Today marks the start of Southampton’s annual Festival of Arts and Humanities (formerly the ‘Human Worlds’ festival)! This year the festival includes a huge variety of online events and activities. The festival will run until Saturday, 20 November, when it will end with an in-person Hands-On Humanities Day at Avenue Campus.

The MA in Global Media Management is once again an active participant in the festivities. In particular we are proud to highlight Guarding the Love, an online transmedia story from the 2020-21 cohort of Global Media 2: Industries and Technologies. This project was developed in the course of the year by students Su Cong, Chen Zhao, Li Yunjia, Pan Zichun, Mai Yingying, and Chen Yiwen, and aims to teach Chinese language skills and cultural knowledge through storytelling.

Guarding the Love tells the story of Houyi, a hero from Chinese mythology. From the project website:

Once upon a time there were 10 golden birds in the sky.
They constantly radiated heat and light from the clouds’ end and the mortals on earth called them “the suns”.
The suns never went down, and eventually led to a horrifying drought across the entire land.
Crops died, rivers evaporated, the whole world was burning in inferno.
A hero named HOUYI showed up with his incomparable skill as an archer, he swore to shoot the suns down…

The story is told across four different media: writing, video, comics, and a board game.

Images from the Guarding the Love website.

Learn more on the story’s festival page here.

You can also access the story after the end of the festival on its website.

GMM Lecturer Estrella will participate in the ‘Teaching Women’s Filmmaking’ Conference

The Conference will be hosted online from 16 to 17 April, by the Department of Film and Television in Istanbul Bilgi University

This virtual conference marks Istanbul Bilgi University’s third annual event dedicated to women and media, following the conference Female Agency and Subjectivity in Film and Television in April 2019, with a book from Palgrave Macmillan published in November 2020and the March 2020 virtual conference Gender Equality and Sustainability: Agnès Varda’s Sustaining Legacy, with proceedings forthcoming from Bloomsbury (2021): The Sustainable Legacy of Agnès Varda: Feminist Practice and Pedagogy in Cinema and Visual Arts

This year’s focus blends scholarship with pedagogy. Scholars and teachers around the world will be sharing strategies, best practices, and past experiences when using films made by women in the classroom and when navigating women’s careers in cinema through teaching and research.

GMM Lecturer Estrella is delighted to participate with her presentation of the video essay ‘Film As Sound Art: Embracing Love through Extra-Diegetic Sound in Nadine Labaki’s Caramel’, produced for teaching and learning purposes.

The keynote speaker for the conference is Catherine Grant, a pioneering artistic researcher and video essayst, who will be presenting ‘Making nearby? On teaching and unlearning women’s filmmaking through theaudiovisual essay‘ on Friday 16 April at 18h30 (GMT+3, so 4:30 pm in the UK).

Registrations are now open! It would be great to see you there!

The University of Southampton hosts the BAFTSS Annual Conference with over 450 participants

Time and the Body in Film, TV and Screen Studies

The University of Southampton is delighted to be hosting the 9th British Association of Film, Television and Screen Studies Annual Conference, whose theme is Time and the Body in Film, Television and Screen Studies.  In focusing on time and the body, the conference seeks to bring attention to two elemental components of the physical world, whose manifestation in moving image media is however always dependent upon technological, cultural and artistic determinants.

Conference activities include panel discussions, based on pre-recorded presentations, in order to foster exchange, connections and knowledge transfer among the over two hundred researchers presenting in this annual meeting point for film and screen media scholars and practitioners.

Beyond the dialogical space in these thematic sessions, the conference will also feature a PGR workshop, a practice-based film screening of Independent Miss Craigie, followed by a Q&A with filmmakers Lizzie Thynne (University of Sussex) and Hollie Price (University of Sussex), an ECR roundtable with guidance on Post-Doc, Fellowship and Lecturer applications within the field of film and screen media, a practitioners round table, featuring Prof Lindiwe Dovey (Screen Worlds, SOAS, University of London), Leena Manimekalai (Independent Filmmaker), Hanan Razek (BBC Arabic) and Alys Scott Hawkins (Animated Documentary), followed by the presentation of the BAFTSS Outstanding Achievement Award and a closing academic roundtable with leading researchers in the field.

The conference runs entirely online via MS Teams. Registrations are still open, offering free access to all students. The hashtag for the conference is #BAFTSS2021.
Please join us in this exciting programme, organised by a series of film scholars from the Centre for International Film Research in the University of Southampton, led by Dr Louis Bayman, and joined by Dr Estrella Sendra (Winchester School of Art). Megen de Bruin-Molé, also from GMM, will be involved too as chair of one of the panel sessions. We look forward to having you with us!

Materials from Human Worlds Festival 2020

Image by 愚木混株

The Human Worlds Festival is the University of Southampton’s annual celebration of Humanities. This year, we explored Sylvia Wynter’s proposition that “humanness is no longer a noun. Being human is a praxis”. Together we explored different ways of examining and practicing our humanness. We also shared examples of how this praxis can change the world for the better.

The 2020 Human Worlds Festival might be over, but if you missed the event itself you can still enjoy many of the featured talks and workshops over on the festival YouTube channel.

From the ‘Being Human as Praxis’ programme of events, you can find links to the recordings for ‘Posthuman Laughter’, ‘Being Human from Aristotle to Deleuze’, and the ‘Computer Generated Novel Workshop’ below. The computer-generated novel produced through this workshop has also now been submitted to NaNoGenMo (link here; novel and code available for download at the bottom of the page). The novel is appropriately entitled The Year 2020: Now Oil the Joints of My Hand at That Moment That There is No Love.

Last but not least, you can find a recording of the ‘Speculative Futures of the Arts and Humanities, in Practice’ Roundtable as part of Hands-on-Humanities Day.

Continue reading →

Being Human as Praxis: Technology, Activism, Play

A human hand draws on a field of stars

Image by 愚木混株

This year the MA Global Media Management is proud to co-host ‘Being Human as Praxis’, part of Southampton’s ‘Human Worlds’ digital festival of the humanities (12-22 November 2020).

In an interview published in 2015, the Jamaican writer, critic, and philosopher Sylvia Wynter concludes her discussion of the history of Western humanism with the suggestion that in today’s world “humanness is no longer a noun. Being human is a praxis”.[1] This statement feels especially resonant as we learn new ways of being in lockdown and in quarantine. But what does it mean to practice being human? And how can we use this creative process to change the world around us? For Wynter, putting our humanness into practice is not just central to understanding ourselves and our world. It is crucial for activism and social justice—to our hope for the future, but also for the present and the past. Through a series of free online workshops, discussions, and other creative activities, ‘Being Human as Praxis’ will explore different ways of examining and practicing our humanness. It will also offer examples of how this praxis can change the world for the better. 

This programme is co-hosted with the new Southampton Institute for Arts and Humanities, which will be officially launched on 21 November 2020. ‘Being Human as Praxis’ represents a wonderful opportunity for networking and disscussion between researchers and creatives in the UK, as well as an opportunity for incoming MA Global Media Management students to engage with local thinkers, familiarise themselves with key issues in media studies, and explore this year’s GMM annual theme (‘Activism’).

Preview the full programme of online events below, and reserve your free place on the Human Worlds website from 1 November 2020.

[1] Sylvia Wynter: On Being Human as Praxis, ed. by Katherine McKittrick (Durham: Duke University Press, 2015), p. 23. 

Congratulations and farewell GMM class 2019-20

This year our congratulations and farewell event, as with all our contact since mid-March, took place on Teams. The teaching team narrated a slide show with pictures from the year, including our study visit and symposium. There were lots of emojis, GIFs and words of support in the chat. We also held the awards ceremony for students receiving certificates for their extra contributions to the programme as course reps, contributors to the blog, and contributors to the symposium. It has been the most remarkable few months and the way the teaching team and students have come together has been inspiring.

Screen Shot 2020-08-10 at 17.31.51

GM2 Group Digital Presentation Exhibition

Working across four different themed strands, and twelve distinct projects, Global Media Management students on the module GM2: Industries and Technologies put together a series of fantastic series of presentations highlighting their group work. We are very proud to showcase them on the GMM website!

Projects range from festival and event websites, to games and playful experiences, to influencer profiles, to transmedia stories. Click on the links in captions below to browse each project in full detail.